TU students immerse themselves in a return to theatrical productions and exhibitions
By: Lillian McBee, Contributing Writer
Photo by Macy Dowla/The Towerlight
Towson University’s (TU) College of Fine Arts and Communication (COFAC) are back on stage and prepping new productions after conducting business virtually for over a year..
According to Michele Alexander, manager of Marketing and Public Relations for COFAC, everyone is working extremely hard to make the transition as smooth as possible. They are following the policies of the University and are currently allowing full capacity within their audience spaces.
“We have definitely suffered significant audience loss,” Alexander said. “But that’s not unusual to any of the arts right now.”
Alexander believes the arts are not struggling but surviving through the pandemic.
“It is all about perspective,” Alexander said. “For us in the educational world, in many ways the artists were thriving.”
Alexander believes the pandemic increased motivation for artists, pushing them to be creative and practice their craft.
“We had the choruses practicing in the parking garage,” Alexander said. “We had to modify to be able to accomplish what we needed to.”
Nerissa Paglinauan, Program Manager for the Asian Arts & Culture Center and curator for the Asia in Maryland exhibit, said that besides the addition of masks her return has felt like pre-COVID-19 times.
“Everybody knows what they need to do to stay safe,” Paglinauan said. “There doesn’t seem to be any limits with the number of people who can be in the gallery.”
According to Paglinauan, the Center is working to find solutions that promote the safety of everyone involved. One solution has been to-go bags, an alternative to catering at gallery events.
She explained that the “immersive and powerful” experience offered to viewers stems from the multidimensions and textures of the artwork surrounding them.
“Seeing the physical works in person is a completely different experience,” Paglinauan said.
Hayden Klinedinst, a TU student in theatre, explained that theatre rehearsals are held inside and in compliance with TU’s mask mandate.
“I am so grateful for being able to get back to in-person gatherings,” Klinedinst said. “It is inexplicable how wonderful it is to hear the applause, cheers, and to see all of the audience members again.”
For some, the transition back to in-person events has raised some concerns. Klinedinst expressed feeling anxious returning after being remote for so long.
“I take a moment to breathe,” Klinedinst said. “By taking the time to relax and prepare, I am not as overwhelmed when performing.”
To view all of TU’s upcoming theatre events or buy tickets, visit the box office online.
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Art has never really stopped, it just persisted in a different way during the epidemic. Now it has finally returned to the audience, and the applause is more important than ever before. Humanize AI
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As COFAC and its artists navigate this new chapter, their resilience and creativity shine through, demonstrating the enduring power of the arts even in the face of adversity.
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Towson University’s College of Fine Arts and Communication (COFAC) has returned to in-person productions after more than a year of virtual operations. Michele Alexander, COFAC’s marketing and PR manager, noted that while audience numbers have declined—a trend seen across the arts—the transition back has been smooth thanks to the team’s dedication.
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It’s inspiring to see students returning to live theatre and art exhibitions after such a long period of virtual performances. The energy and creativity that comes with in-person productions truly enrich the campus community, and it’s great to see COFAC leading the way in that comeback!
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I really enjoyed reading about the students’ return to theater productions and exhibitions. It’s inspiring to see creative expression coming back in full force after such a challenging time. Live performances and visual art offer such valuable experiences for both participants and audiences — great to see them thriving again!
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This heartwarming update on TU’s COFAC returning to in-person theatre and exhibitions is so uplifting! It’s inspiring to see the creativity and resilience of students and staff—from parking garage chorus practices to safe gallery solutions like to-go bags. The joy of live applause and in-person art experiences is unbeatable, and it’s relatable to feel anxious about the transition too. Kudos to TU for prioritizing safety while bringing the arts back to life!
Loved reading how TU students are diving back into theater and art exhibitions! It’s so inspiring to see campus creativity thriving again—these productions and shows are such a vibrant part of student life. 🎨✨
This article from The Tower Light, Towson University’s student newspaper, chronicles TU students’ enthusiastic return to theatrical productions and art exhibitions following the pandemic. The piece highlights the resurgence of campus arts activities, student involvement across various productions, and the therapeutic and educational value of returning to in-person creative expression.
Heartwarming coverage of Towson University’s theatrical return! Highlights students’ passion and creativity, a joyful read for theater lovers and campus community supporters.
It is encouraging to read how COFAC handled the return to in-person productions, especially the detail about choruses rehearsing in the parking garage and the to-go bags replacing gallery catering. That kind of improvisation says a lot about how arts programs adapted rather than simply waited things out. The point about “surviving versus thriving” also lands, since audience habits changed for everyone, not just university stages. For anyone who enjoys systems where small decisions compound over time, I have been comparing similar mechanics in the best job pay and rent guide, which breaks down pay per rank and weekly costs. It is a different medium, but the same lesson applies: planning beats reacting, whether you are staging a show or managing a budget.
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Thank you for highlighting the resurgence of live theater! It’s truly inspiring to see students diving back into creative expressions. I wonder how this revival impacts their emotional well-being, especially in light of the challenges faced recently
It is encouraging to read about COFAC finding creative ways to keep the arts alive, like rehearsals in the parking garage and to-go bags at gallery events. That same adaptation happened in game development, where remasters gave new life to older titles. The Witcher 3’s current-gen update is a good example of how careful changes can revive a decade-old experience, and the new skill tree overhaul is one of the more substantial parts of that effort: it rebalances builds and gives returning players a reason to rethink their approach. Beyond that, the update adds photo mode, reworked PC settings, save transfer options, and a list of mods that still work, all tracked against official patch notes. For anyone curious about how much a remaster can genuinely change rather than just polish, it is worth a look alongside the theatre coverage here.
It’s encouraging to read how COFAC and the Asian Arts & Culture Center managed the return to in-person productions, especially the detail about choruses rehearsing in the parking garage and the to-go bags replacing catering at gallery events. That kind of quiet logistical creativity rarely makes it into press coverage, but it’s often what keeps a season afloat. One thing I’d add for students juggling rehearsal schedules and coursework: fan-made reference wikis can save a surprising amount of time when a game or production has layered mechanics, and the Drill to Earth's Core guides are a good example of numbers being sourced and updated after each patch rather than left stale. Paglinauan’s point about physical works feeling completely different in person is worth holding onto as audiences slowly return.
It is wonderful to see students and faculty returning to live theater and in-person exhibitions on campus. Transitioning back from virtual spaces brings so much energy and creativity that simply cannot be replicated online. Best wishes to everyone involved in the upcoming productions!